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Senior Pairs Free Skate Elements Explained

Pairs skating combines the technical demands of singles with timing, trust and physical connection between two athletes. In the free skate, competitors must complete a planned set of jumps, spins, lifts, throws, twists and rotational elements while presenting a convincing programme as a single partnership.

At the 2019 ISU Grand Prix of Figure Skating Final in Turin, senior pairs brought these requirements to the Palavela arena in a competition shaped by both precision and risk. Understanding what the judges look for makes it easier to follow a performance, whether you are watching archived Torino footage from Australia or seeing pairs skating live at a rink in Melbourne, Sydney or Brisbane.

Understanding The Free Skate Structure

A senior pairs free skate lasts several minutes and allows the team to show greater range than in the short programme. The longer format gives skaters room to build a musical narrative, but it also demands stamina. A small error late in the programme can affect a lift, landing or spin after the athletes have already completed several difficult elements.

The exact list of required elements is set by the ISU rules for the relevant season. In the Torino 2019 era, a senior pairs programme generally included a twist lift, throw jump, solo jump, pair spin, death spiral, several lifts and sequences involving steps or choreography. The rules also specified which lift groups or death-spiral variations were required, so a team could not simply choose its favourite elements throughout.

Elements are performed in a planned order, but the programme should feel like a continuous piece of skating rather than a checklist. Coaches arrange demanding lifts and throws around changes of pace, musical climaxes and recovery moments. A well-constructed routine gives the pair enough time to prepare without making the preparation look obvious.

The technical panel identifies each element and assigns its level where applicable. Judges then award a Grade of Execution, or GOE, for quality. The final score also includes Programme Components, which assess skating skills, transitions, performance, composition and interpretation. This means a difficult element can earn a modest reward if it is poorly executed, while a simpler passage may contribute strongly to the overall impression.

Reading The Technical Elements

The base value of an element is determined by the scale of values for that season. Difficult variations, higher levels and extra rotations can increase the starting value, but execution decides how much of that value remains. In 2019, the GOE system used a range from minus five to plus five, allowing judges to reward outstanding quality or penalise serious flaws.

A pair can gain positive GOE through features such as speed, clean edges, secure landings, difficult entries, good height and distance, musical integration and effortless flow. Negative GOE may result from a fall, a touchdown, a poor landing, an unclear edge or a break in unison. Some mistakes affect the element itself, while others lead to separate falls or time deductions.

When following a result sheet, look for the element abbreviation, its base value and the awarded GOE. A triple throw jump may appear as a throw triple Salchow or throw triple loop, while lifts are recorded according to their group and level. The protocol reveals where points were gained or lost more clearly than the final total alone.

Details That Help Decode A Protocol

The protocol should be read alongside the video. A lift listed at a high level may still look awkward if the exit is slow, while a technically modest transition can help the programme feel seamless. For Australian viewers comparing archived results, remember that the scoring rules have changed since 2019, so current competitions may use different abbreviations, value tables or judging emphases.

Lifts, Throws And Twists

Pair lifts are among the most recognisable elements in the free skate. One partner raises the other above the ice while maintaining a controlled hold, rotation and exit. The technical value depends on the lift group, entry, position, changes of hand or direction and other recognised features. Judges also assess whether the movement travels smoothly and whether the lifted partner maintains an attractive, stable line.

A strong lift begins before the actual rise. The entry should match the choreography, and the man’s skating must remain controlled rather than becoming a series of visible steps to find balance. The woman’s position should look active and extended, not passive. The exit is equally important: a clean return to the ice with continued flow can turn a difficult lift into one of the programme’s highlights.

The twist lift starts with a joint take-off. The woman is released into the air, completes rotations and is caught around the waist before landing on one foot. Judges watch the height, speed of rotation, split position, clean catch and controlled landing. A delayed or low catch, a bent position in the air or a shaky exit can reduce the GOE even when the required rotations are completed.

Throw jumps are assisted jumps in which one partner provides speed and height before the other lands independently. Senior pairs may perform throw triple Salchows, loops, flips, Lutzes or Axels, depending on their planned content and the season’s rules. The best throws have a clear edge, substantial distance and a long, flowing landing. Because the jump is launched by the partner, timing between the two skaters is crucial.

What To Watch In High-Risk Elements

These elements carry considerable risk because one mistake can affect both partners. A failed lift may produce a fall, while a throw landing can travel towards the barrier if the take-off direction is inaccurate. At the same time, risk must be balanced against programme construction. A pair that attempts ambitious content without enough consistency may score less than a team performing slightly easier elements with excellent execution.

Spins, Jumps And The Death Spiral

Side-by-side jumps are designed to look as though the partners are one skater reflected beside the other. The jumps may include doubles or triples, depending on the planned content, and the key challenges are matching timing, rotation, height, edge quality and landing direction. Even when both athletes land successfully, a large difference in height or distance can reduce the impression of unison.

The pair spin requires both skaters to rotate around a shared centre while changing positions. The best spins travel very little, accelerate smoothly and include clear shapes. Judges consider speed, centring, difficult variations and the control of transitions between positions. A spin that begins well can lose value if the pair drifts across the ice or separates noticeably.

The death spiral is a signature pairs element. One skater holds the other’s hand while acting as a pivot, and the woman leans close to the ice on a deep edge, creating a long, low circular line. The man must maintain a stable pivot and strong skating edge while the woman keeps her body extended and close to the surface. Speed, depth, centring and continuity all matter.

A step sequence allows both skaters to use turns, changes of direction, edges and body movement across the ice. It is usually where the partnership’s skating quality becomes especially visible. Watch whether the pair remains connected in timing and spacing, whether the steps match the music and whether difficult turns are performed with genuine flow rather than rushed footwork.

Choreographic sequences have more freedom than tightly defined technical elements. They can include spirals, expressive movements, spread eagles, sliding actions or unusual positions chosen to suit the programme. Although they may appear less technical, they still contribute to the score and can shape the emotional peak of the free skate.

Following A Performance At Torino 2019

Watching an archived performance is easier when you divide the programme into phases. First, identify the opening technical element and note whether the pair establishes speed and confidence. Next, watch the sequence of lifts, throws and jumps for changes in risk. In the final section, pay close attention to tired landings, slower rotations and whether the choreography continues to project energy.

The Palavela setting also matters. A large arena can make speed and distance easier to appreciate, while televised camera angles may hide the depth of an edge or the exact height of a throw. Replays are useful for checking a twist catch or landing, but the live view often shows whether an element travels with genuine momentum.

For Australian fans, Turin’s December schedule arrived during summer at home and winter in northern Italy. A session beginning in the evening in Italy could fall in the early morning in Sydney or Melbourne, while Brisbane follows Australian Eastern Standard Time rather than daylight saving. Perth viewers face a different time conversion again, so archived sessions may be more practical than live viewing.

The local market also affects how fans follow the sport. International event streams, broadcast rights and archive access can change, so Australian viewers should check the official ISU material, Ice Skating Australia updates and reputable broadcasters rather than relying on unofficial clips. Ticket prices for an Italian event are listed in euros, making card fees and currency conversion relevant for anyone comparing the Torino experience with domestic competitions.

At a rink in Melbourne or Sydney, spectators may be close enough to hear blade impact and the audience reaction after a lift. Brisbane-based fans may have fewer large international events nearby but can still study protocols and video to build technical knowledge. In Australia, where figure skating often shares ice time with public sessions and other disciplines, that background helps explain why elite pairs programmes demand extraordinary preparation.

Use the official Torino 2019 schedules, results and available performance footage to follow each element in order. Pause at the twist, compare the protocol with the replay, then watch the full programme again without stopping. That combination turns a spectacular routine into a detailed study of technique, timing and partnership.